Observed arrival · 2026-09-26
María Bernardeau’s sculptures of touch and memory
A portfolio of Madrid sculptor María Bernardeau’s porcelain-and-iron work, including exhibition projects, sculpture details, biography, and press links.
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- Close-up captions pair material descriptions with questions about whether a caress persists after contact ends.
Field notes
The page connects its materials to a stated interest in how touch is inscribed on the body: porcelain is described through skin-like folds, grooves, and tensions, while iron supplies a rigid contrast. Work captions identify materials and dimensions, and the portfolio links the pieces to named exhibitions in Madrid. The featured project’s excerpt gives two different counts—eight sculptures and five pieces—without clarifying how they relate.
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One card from the complete issue